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	<title>Bento &#187; Masters of Mercy</title>
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	<description>art outside the box</description>
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		<title>&#8220;Masters of Mercy: Buddha&#8217;s Amazing Disciples&#8221; Closes July 8</title>
		<link>http://blog.asia.si.edu/a-closer-look/masters-of-mercy-buddhas-amazing-disciples-closes-july-8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=masters-of-mercy-buddhas-amazing-disciples-closes-july-8</link>
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		<pubDate>Fri, 06 Jul 2012 20:11:16 +0000</pubDate>
		<dc:creator>Howard Kaplan</dc:creator>
				<category><![CDATA[A Closer Look]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Japanese Art]]></category>
		<category><![CDATA[Masters of Mercy]]></category>

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		<description><![CDATA[Masters of Mercy: Buddha’s Amazing Disciples is for Western audiences a first look at the last great Japanese Buddhist painting ensemble before the onset of modern times. The series was initiated by artist Kano Kazunobu in 1854, the same year that Commodore Matthew Perry &#8220;encouraged&#8221; Japan to open its doors after a period of two [...]]]></description>
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<p><em><a title="Masters of Mercy" href="http://asia.si.edu/exhibitions/online/masters-of-mercy/" target="_blank">Masters of Mercy: Buddha’s Amazing Disciples</a></em> is for Western audiences a first look at the last great Japanese Buddhist painting ensemble before the onset of modern times. The series was initiated by artist Kano Kazunobu in 1854, the same year that Commodore Matthew Perry &#8220;encouraged&#8221; Japan to open its doors after a period of two hundred years of isolation (and interestingly, the year museum founder Charles Lang Freer was born). These paintings, as described by curator James Ulak in the video above, alternate between the fantastic and the everyday. A remarkable blend of traditional Buddhist iconography laced with then-contemporary references to theater, myth, and religious cult practice, the paintings depict the miraculous interventions and superhuman activities of the five hundred disciples of the Buddha. Hurry, the exhibition closes this Sunday—&#8221;Buddha&#8217;s Amazing Disciples&#8221; are needed elsewhere!</p>
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		<title>Monks at an Exhibition</title>
		<link>http://blog.asia.si.edu/a-closer-look/monks-at-an-exhibition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=monks-at-an-exhibition</link>
		<comments>http://blog.asia.si.edu/a-closer-look/monks-at-an-exhibition/#comments</comments>
		<pubDate>Fri, 04 May 2012 06:00:42 +0000</pubDate>
		<dc:creator>Howard Kaplan</dc:creator>
				<category><![CDATA[A Closer Look]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Japan Spring]]></category>
		<category><![CDATA[Sackler 25]]></category>
		<category><![CDATA[Buddhism]]></category>
		<category><![CDATA[Masters of Mercy]]></category>

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		<description><![CDATA[Monks from Tokyo&#8217;s elite Pure Land Buddhist temple Zōjōji came to the Sackler Gallery on the evening of Saturday, April 21. They performed a ceremony to protect the paintings in Masters of Mercy: Buddha&#8217;s Amazing Disciples and to ensure the success of the exhibition. A blessing and consecration typically occurs when Buddhist institutions lend works of art to secular institutions. In the [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_1455" class="wp-caption aligncenter" style="width: 580px"><a href="http://blog.asia.si.edu/a-closer-look/monks-at-an-exhibition/attachment/masters-of-mercy88/" rel="attachment wp-att-1455"><img class="size-large wp-image-1455" title="Masters of Mercy" alt="" src="http://blog.asia.si.edu/wp-content/uploads/2012/04/Masters-of-Mercy88-1024x682.jpg" width="570" height="392" /></a><p class="wp-caption-text">At the welcoming ceremony for &#8220;Masters of Mercy: Buddha&#8217;s Amazing Disciples&#8221;; photo by John Tsantes</p></div>
<p>Monks from Tokyo&#8217;s elite Pure Land Buddhist temple <a title="Zōjōji" href="http://www.zojoji.or.jp/en/index.html#top" target="_blank">Zōjōji</a> came to the Sackler Gallery on the evening of Saturday, April 21. They performed a ceremony to protect the paintings in <em><a title="Masters of Mercy: Buddha's Amazing Disciples" href="http://asia.si.edu/exhibitions/online/masters-of-mercy/">Masters of Mercy: Buddha&#8217;s Amazing Disciples</a></em> and to ensure the success of the exhibition. A blessing and consecration typically occurs when Buddhist institutions lend works of art to secular institutions.</p>
<p>In the Pure Land tradition, the lotus (a primary Buddhist symbol), is the vehicle upon which souls are reborn in the <a title="Paradise of Amida Buddha" href="http://asia.si.edu/collections/singleObject.cfm?ObjectNumber=F1904.112">Western Paradise</a>. The image of lotus petals showering down from the heavens is a symbol of the blessings of the Amida Buddha. During the ceremony at the Sackler, Hasuike Koyo, chief secretary of  Zōjōji, scattered oversized and colorfully painted paper lotus petals around the exhibition space to indicate the temple&#8217;s fond prayers for our endeavors.</p>
<p>The out-of-this-world scrolls by Kano Kazunobu in <em>Masters of Mercy</em> were created from 1854 until the artist&#8217;s death in 1863. The Sackler exhibition marks the first time that the scrolls have been shown in the West. It runs through July 8, 2012. Learn more about <a title="Japan Spring at Freer|Sackler" href="http://www.asia.si.edu/events/japan-spring.asp">Japan Spring</a> at the Freer|Sackler.</p>
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