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	<title>Bento &#187; color</title>
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	<description>art outside the box</description>
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		<title>Going Green</title>
		<link>http://blog.asia.si.edu/from-the-collections/going-green/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=going-green</link>
		<comments>http://blog.asia.si.edu/from-the-collections/going-green/#comments</comments>
		<pubDate>Fri, 22 Feb 2013 06:30:52 +0000</pubDate>
		<dc:creator>Howard Kaplan</dc:creator>
				<category><![CDATA[From the Collections]]></category>
		<category><![CDATA[Islamic Art]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Sufi]]></category>

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		<description><![CDATA[Those fine folks at Pantone, &#8220;the world&#8217;s experts on color,&#8221; have selected the color of the year for 2013. And the winner is &#8230; emerald green, or, as it&#8217;s known by designers all over the world, 17-5641. There are so many shades of green and each one would be welcome today, on a drizzly, gray [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_4540" class="wp-caption aligncenter" style="width: 580px"><a href="http://blog.asia.si.edu/a-closer-look/green-with-envy/attachment/f1908-275/" rel="attachment wp-att-4540"><img class="size-full wp-image-4540" alt="Folio from a Khamsa by Nizami, Bahram Gur in the turquoise-blue pavilion on Wednesday; Safavid period Iran, 1548" src="http://blog.asia.si.edu/wp-content/uploads/2013/01/F1908.275.jpeg" width="570" height="801" /></a><p class="wp-caption-text">Folio from a Khamsa by Nizami, Bahram Gur in the turquoise-blue pavilion on Wednesday;<br /> Safavid Iran, 1548, F1908.275</p></div>
<p>Those fine folks at Pantone, &#8220;the world&#8217;s experts on color,&#8221; have selected the color of the year for 2013. And the winner is &#8230; <a title="Pantone Color of the Year 2013" href="http://www.pantone.com/pages/index.aspx?pg=21055" target="_blank">emerald green</a>, or, as it&#8217;s known by designers all over the world, 17-5641.</p>
<p>There are so many shades of green and each one would be welcome today, on a drizzly, gray afternoon in DC. Rather than wait for spring, I decided to search the collections and look for some of my favorite green objects. The range is vast: from the robe of a <a title="A Seated Youth in Green Robe" href="http://asia.si.edu/collections/singleObject.cfm?ObjectNumber=S1986.306">sixteenth-century Persian youth</a> to the grass and trees in a <a title="After Sunset" href="http://asia.si.edu/collections/singleObject.cfm?ObjectNumber=F1906.68a" target="_blank">Thomas Dewing landscape</a> to the aged patina of a <a title="Ritual wine cup with cover" href="http://asia.si.edu/collections/singleObject.cfm?ObjectNumber=F1938.6a-b">bronze Chinese vessel</a>, and, of course, the folio above from the <em>Khamsa</em> (or Quintet), a collection of five poems by the poet Nizami.</p>
<p>The <em>Khamsa</em> ranks among the great masterpieces of Persian literature. It tells the story of a prince and seven princesses, each from a different land, and each depicted in a colored pavilion. The turquoise pavilion is the setting for Wednesday&#8217;s tale, a romantic poem recited by the princess from Magrib. But delving deeper, the poem offers a glimpse into Islamic mysticism (Sufism), with each day of the week representing the journey of the soul. Here, at stage five, the soul is satisfied, on its journey to become wholly purified and at one with god.</p>
<p>Check out other scenes from this tale, including a visit from the <a title="Indian Princess in Black Pavilion" href="http://asia.si.edu/collections/singleObject.cfm?ObjectNumber=F1908.271">Indian princess in the black pavilion</a>.</p>
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