Examples of books you can make at our Inner-Artist Workshops: The Art of Japanese Pouch-books
The Freer|Sackler has teamed up with Pyramid Atlantic Art Center to offer six Japanese book-making workshops for adults in conjunction with the exhibition Hand-Held: Gerhard Pulverer’s Japanese Illustrated Books. F|S educator Joanna Pecore chatted with Pyramid Atlantic’s artistic director, Gretchen Schermerhorn, about these events, which will take place on selected weekends through the end of June.
Joanna: Thank you so much for taking the time to talk, Gretchen. Can you tell me about your work with making papers and books?
Gretchen: I am a printmaker and paper-maker. I started making paper around 10 years ago and have since been trained in making both Western and Asian papers. I am also specifically interested in woodblock printing.
Joanna: What inspired you to begin making paper?
Gretchen: In graduate school, one of my professors taught a paper-making class. At the time, I wondered why anyone would want or need to make paper. It is so easy to purchase. Then, I learned about everything that goes into it: the vision, what it is made from, and the control involved in the process. There is so much variation in what can be done.
Joanna: Can you tell me about Pyramid Atlantic?
Gretchen: It is an art center in Silver Spring, Maryland, dedicated to the preservation and creation of prints, paper, and book arts. We offer all kinds of opportunities, like residencies, internships, and classes. Visiting artists come from all over the world to share their art at our center. What’s more important, though, is that we do it all: paper, prints, and books. We explore how all of these elements relate to each other. They are all important to the process of bookmaking. People can do it all under one roof at Pyramid Atlantic.
Joanna: What can participants expect when they join your workshops at the Sackler?
Gretchen: They will to get to create a book and a print inspired by works in the Hand-Held exhibition. After the workshop, they will be able to really understand how the books in the exhibition were made, especially how they were bound and printed. It ties into exhibit. It is not just an art project.
Joanna: What is unique about this opportunity?
Gretchen: This is an authentic experience. It is really exciting for me. Although I have been doing stab binding—the type of binding used in the “pouch-books”—for years, this is the first time I have tried to replicate how it was done in Japan. And we are going to use the “pouch” technique. We haven’t done that before. This workshop is an incredibly rare and affordable way for participants to get this experience.
The first classes begin this weekend. Check the F|S website for the complete schedule.